Inspector Caroline Goode deserves to be on that growing list. In the harrowing
and fascinating ITV true-crime drama Honour, she’s portrayed with subtle
emotional force by Keeley Hawes – whose previous work in police dramas (Ashes
to Ashes, Line of Duty) secures her suitability for the role.
Umid Ulgen, Mark Stanley and Keeley Hawes in Honour. Photo: ITV
2006, Goode led an investigation into the disappearance of Banaz Mahmod, a
20-year-old Kurdish woman in south London. Banaz was later discovered to be
raped and murdered and buried in a suitcase, shortly after leaving her abusive
husband to live with Rahmat Suleimani (Moe Bar-El), a local Iranian man who loved her.
was an ‘honour’ killing, stemming from a medieval, patriarchal culture. If a
woman dishonours the household, she must be punished to retain that honour. It’s
a practice you wouldn’t think happens here, but it still does – even more so during
lockdown. 12 women are murdered every year in the UK from honour-based violence
the story is told from Goode’s perspective, removing you from the true horror of
Banaz’s experience, writer Gwyneth Hughes doesn’t shy away from the details. Visualising
Banaz’s pain as it’s described is as gruelling, if not more, than seeing a
dramatised version of the violence.
Banaz’s fate becomes more depressing on the
discovery that she went to the police five times, only to be sent back into the
community she feared. You see her face on an old interview tape, in a brief and
striking performance from Buket Komur, begging for help.
Rhianne Barreto stars as Banaz's fearfully co-operative sister. Photo: ITV
Honour unfolds like most other procedurals. Character
backgrounds are unseen, only occasionally discussed, and the case drives the
plot entirely. Hawes tackles the accent of a tough London copper, taking no
nonsense – vital for Goode’s condemnation of police ignorance. Not only from
the men, but the women too.
and fellow detective Andy Craig (Criminal UK’s Mark Stanley) knock on
the doors of south London’s Kurdish community, including Banaz’s family: her
stern father (Umid Ulgen), her silent mother (Fisun Burgess), and her fearfully
co-operative sister (Rhianne Barreto). The violent realities of HBV burrow deep,
especially affecting Goode and the fraught computer whizz Keilly (a brilliantly
nerve-jangling performance from Alexa Davies).
Director Richard Laxton also captures those
little, nostalgic nuances of the mid-noughties: the cubic monitors, the sliding
phones, the VHS tapes. The visuals are mundanely grey and, aside from a few
melodramatic music cues, there’s no attempt to glamorise. It’s what British
filmmakers do best.
Honour shines a dusty light on an underknown
case, one of the most gruelling and tragic ITV have tackled. There are still
women in these communities frightened for their lives, wary of deathly
disapproval from respected men. Hughes tries to push that fear onto you. If a
family is proudly capable of murdering their own, then danger is everywhere. The
facts are hard to swallow, and stay stuck in your throat for days.
Honour airs on Monday 28 September at 9pm on ITV, and concludes at the same time on Tuesday 29 September
|What||Honour, ITV review|
28 Sep 20 – 28 Sep 21, ON ITV