two reduces the internal conspiracies and some of the familial tension - especially
with the eldest son Kendall (Jeremy Strong), whose usurpative plans
were thwarted at the end of season one. After spending two days in an Icelandic
spa, Kendall’s ripped away by his father's people and forced in front of a camera. He’s interviewed on a rival news channel, the world fully
aware of his previous deceptions.
Shiv (Sarah Snook), watching from a luxurious yacht, lays in the series' first brutal insult: remarking that Kendall looks ‘like a sweaty corpse’.
Kendall's (Jeremy Strong) plans were thwarted by Logan (Brian Cox) in season one
finally chooses an heir to his throne and that person is told, but they swear
to secrecy until the time is right. Since that tension was core to the conflict
in season one, via horrific power-plays, the sudden choice – though perfect – deflates the original
the lack of conspiracy brings the family closer together, with some even wanting
to better themselves. Their history with each other, glimpsed in childhood
montages every week via the title sequence, exudes from every stare and insult.
Shiv’s role increases in season two, and she serves as a sympathetic heart in this dark and moneyed chasm. It’s
a tricky cliché for the series' only female lead to be the most sensitive, but she inserts
an intriguing layer of humanity into their over-privileged family. This clashes
with the men’s hard and self-pronounced shells. When she, with sincerity, says ‘I
love you’ to her colourfully insulting brother Roman (Kieran Culkin), he
hilariously responds ‘You’re such a f***ing b****’.
Roman (Kieran Culkin) says to Shiv (Sarah Snook): 'You're such a f***ing b****'
continues to surround himself with Yes People, even more so than in season one.
Nobody’s willing to defy him. Kendall turns into something of a depressed
robot, his inner humanity rarely revealed, as he repeats his
father’s demands and statements with little emotion. He has no choice but to support his father.
next plan is to take over their rivals, the Pierce family - who are essentially their liberal counterparts - introducing stern new cast members like Holly Hunter (Incredibles 2) and Cherry
Jones (Chimerica). In episode five, the best of the five episodes released to critics, the
two families come together – two extreme sides of the American political
spectrum, warring under pleasant smiles and pricey wine.
None of the Roys can
compete with these Shakespeare-quoting snobs, perfectly captured as Roman tries
to make up a novel to pretend he’s read something.
Kendall turns into a depressed robot for Logan
threads in season two aren’t as strong as in season one, but there’s still
plenty to absorb, laugh at, and squirm through. Succession goes even
further in its satire of the 0.01%, crossing into the surreal as family members
order lesser employees to bark like dogs or act as footstools.
loses some of the Machiavellian momentum, warming the connections between
family members, but Armstrong retains the series’ sharp tongues, bitter
feuds, and lavish apartments. Succession lowers the stakes, but
continues to score.
Succession season 2 continues Mondays at 2am and 9pm on Sky Atlantic
|What||Succession season 2, Sky Atlantic review|
12 Aug 19 – 12 Aug 20, 9:00 PM – 10:00 PM