White and Blue, the third
in Steve McQueen’s cinematic quintet Small Axe, exemplifies the
exciting new direction of Boyega's career – away from starships and lightsabres. Here
he plays Leroy Logan, a black Met police officer in the 80s who wanted to change
systemic racism from the inside.
John Boyega plays 80s Met police officer Leroy Logan. Photo: BBC
the face of it, Leroy is the classic, intelligent fish out of water. He leaves
his insular job in forensic science to be a bobby on the beat, shortly after
his defiant and patriarchal father is assaulted by the police. He finds, of course,
that the practical experience, on patrol with white officers, is more
gruelling and upsetting than academic education can comprehend. Innocence
thrown in at the deep end.
McQueen and co-writer Courttia Newland, who also worked on Lovers Rock, produce
a film more emotionally complicated than that. For one thing, Leroy isn’t naive.
The film opens as young Leroy waits alone by the school gates. Two white
officers stop and search him. His father, furiously played by Steve Toussaint,
comes to his rescue and teaches him not to bow to prejudicial authority –
especially not those in uniform.
Leroy’s somewhat ironic application to join the police causes alienation from all sides. Not only from racist colleagues, but those in
his own community who see him as a traitor.
racial isolation, attacked by both friends and enemies, has a BlackKklansman
quality – only much, much harsher. (The debate of defunding the police still
rages on, being a key BLM motive.) As Leroy begins working for the Greater
London police, you realise the overwhelming hopelessness in trying to reform
He wants to help the community he’s charged with protecting, which
means empathy and understanding, concepts that his white colleagues don’t comprehend.
Many of them take an England-for-the-English approach, even advising a Pakistani
constable against speaking Urdu to Pakistani residents. These
moments build and build in the latter half, before a horrendous piece of racist
graffiti is scrawled on Leroy’s locker.
Steve Toussaint plays Leroy's defiant and patriarchal father. Photo: BBC
McQueen retains a crushing bluntness in
these moments and, aside from a few 80s tracks played from radios and record
players, there’s no music to sensationalise them. You shake and tense with such
intense rage, watching the vitriolic disregard for the good he’s doing. Even
the cynical stares and sighs cut deep.
biopic only covers Leroy Logan’s early career, ending before you see his
achievements in the police. McQueen even avoids the cliché of black-and-white
photographs showing the real people, subtitled with what they did next.
White and Blue concludes with the unknown: Leroy uncertain about whether
his efforts will actually achieve anything. But the brave will to try – regardless of the pain and resistance, with no cinematically fateful result in
sight – shows the worth of fighting for these issues. Although you’re offered
many reasons to despair humanity, it's an inspiring and invigorating
Small Axe: Red, White and Blue airs on Sunday 29 November at 9pm on BBC One
|What||Small Axe: Red, White and Blue review|
29 Nov 20 – 29 Nov 21, ON BBC ONE
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