But new evidence
eventually came to light, which pointed to Jeremy Bamber, the eldest son, who
called the police after apparently hearing gunshots from the house.
Cressida Bonas delivers a vividly fragile performance as victim Sheila Caffell
last year’s excellent procedural drama A Confession, based on the 2011
Sian O’Callaghan case, the pressure’s on ITV to deliver another true story that’s
equally compelling and equally honest. White House Farm achieves that and more, psychologically penetrating this gruelling and gruesome story.
a lot of recent true-crime dramas, White House Farm is eager to
emphasise its truth in the opening titles. But this time, the show actually
cites its sources: the 2015 book The Murders at White House Farm by
Carol Ann Lee and 1994’s In Search of the Rainbow’s End by Colin Caffell, Sheila’s
ex-husband and father of Daniel and Nicholas. There’s a definite caution in
writer Kris Mrksa’s approach to the story, since the evidence is still under
scrutiny despite Bamber’s conviction in 1986.
introduced to Sheila (a vividly fragile performance from Cressida Bonas), who’s
invited to a party held by her ex-husband Colin (Mark Stanley). Director Paul
Whittington zeroes in on Sheila’s discomfort, amplifying certain noises and
plunging into her disturbed experience, especially on her final drive to her adoptive parents' farmhouse. If Sheila is the tragic hero in all this, Jeremy (Freddie Fox) is the villain of the piece – revealed with frightening prudence by Freddie Fox's unnerving portrayal.
Freddie Fox polishes a disturbing portrayal of convicted murderer Jeremy Bamber
farmhouse, accessible via acres of countryside, stands silently
ominous. Mrksa has said that he didn’t want to ‘re-sensationalise’ the story, and
this carries into Ben Wheeler’s cinematography, which is mostly icy
and still. In a rare tracking shot from episode one, the camera moves with the armed
response team as they shuffle through the house identifying the victims, body by
body. It’s one of the most innovative and harrowing shots on recent TV.
‘Taff’ Jones, the lead investigator, is played by an unmistakable Stephen
Graham wearing a bushy moustache and spouting a very questionable Welsh accent. Taff is drawn thinly, often screaming and shouting like a cartoon of competitive
male aggression, but Graham is so great at exploding. He gives Taff grit and humanity, so much so that his character's constant outbursts feel genuine.
DS Stan Jones (Mark Addy) pursues his own line of enquiry, the accusations against Sheila not making sense
Taff leads the theory that it’s a
murder-suicide, frequently referring to Sheila Caffell as a ‘nutjob’, but comes
up against the sceptical and empathetic DS Stan Jones (quietly portrayed by Mark
Addy). He pursues his own line of enquiry, which will lead to Jeremy’s
the wise patience of Mrksa’s writing, it’s hard to know whether he needed as
many as six episodes to tell the story (critics had access only to three). With some edits, four might have
sufficed. Still, the brave decision not to rush makes the drama more immersive, and facilitates a searing, honest examination of the White House Farm murders and the injustices that came after.
White House Farm airs on Wednesday 8 January at 9pm on ITV
|What||White House Farm, ITV review|
08 Jan 20 – 12 Feb 20, 9:00 PM – 10:00 PM