The new 12-part BBC/Hulu TV series – partly adapted by Sally Rooney from her
second novel – remains faithful to the warm, delicate words of the book, while
engendering a unique and sensitive televisual style of its own.
the book brings many benefits when watching the series, but it’s not required to
immerse yourself in the story. Although many of the emotional beats in the four
episodes released to critics are more impactful with prior knowledge, the writing
and direction and central performances still spark like a grey house filled
with pixie dust.
Like Rooney’s prose, the series finds the subtle magic in the mundane,
never feeling the need to rush or overdramatise. A perfect fit, then, for Irish
director Lenny Abrahamson, whose projects (Frank, Room, The Little Stranger) like to creep and crawl instead of fly and shout. The only melodrama
is within the feelings of the reader, and it’s a similar case for the viewer. Here's why we loved it.
People follows two
in-love teenagers in County Sligo in Ireland, crossing uncomfortably into
adulthood. Their established identities shift into contrary directions as they
leave school and attend Trinity College Dublin (which both Rooney and Abrahamson
Marianne (Daisy Edgar-Jones) is an introverted but outspoken loner: no
friends, bullied for being ‘ugly’, ‘flat-chested’, and a ‘psycho’. Connell
(Paul Mescal) is her opposite: popular, sporty, never bullied but occasionally
mocked about his shyness.
yet, despite their differences, Connell and Marianne fall in love. His mother
Lorraine (Sarah Greene) cleans Marianne’s family home, so the couple are together
a lot. But there’s a catch: Connell has a social status to uphold, so their
relationship can’t be made public – such are the traumatising politics of
Once they attend university, it's like they switch personalities: Marianne gets popular; Connell struggles to socialise.
Culture is awash with hard, graphic depictions of sex and there are plenty of justifications. (Fiction would be much staler without it.) But Normal People makes a refreshing diversion: showing the intimacy, the sensuality and the funny awkwardness that sex can propitiate. The scenes aren’t especially sexy, despite being sexual – grounding them in reality.
In a recent interview with RadioTimes.com, Edgar-Jones said she was ‘proud’ of the sex scenes: ‘sometimes it’s awkward and a bit clunky and a bit ugly, which is wonderful because that’s what it is’. It’s precisely the clunk and ugliness that makes these scenes so beautiful to watch. With a surfeit of gratuitous and – much worse – artificially directed sex on screen, Normal People feels real enough to bring tears to your eyes.
The love and tenderness
year exploded with refreshingly accurate, hilariously crude and sexually
exciting representations of teenage life in the millennial and Z generations.
Sex Education unravelled with exaggerated fun and comedy, like an enlightened version
of a John Hughes movie; Euphoria pursued darker directions, diving into
the drugs, the dick pics, the rape, and the abuse endured by the lamentably titled ‘snowflake generation’. Both shows blew up screens around the world with their stylish, extroverted zeal. Normal People attends the same party as these
seminal shows, but reads quietly in a noiseless room nearby.
People is gentler than
Euphoria or Sex Education. The visual style is soft and natural; sweet
sunlight pours through barely lit houses. This tender naturalism spills into
Marianne and Connell’s lone interactions with each other; the school
class-system melts into meaninglessness.
Rooney recently stated that these were
her favourite scenes to write, so it’s no coincidence that they’re the most
absorbing, the most heartfelt. The connection between Mescal and Edgar-Jones is
more than chemistry: it's like they're magnetised, eternally fused together despite their
characters’ lack of communication skills.
than a year has passed since the Hot Priest sermonised that love ‘is all any of
us want, and it’s hell when we get there’ in the Fleabag season 2 finale.
Love is hell, but it’s also soft and fragile. That’s what makes Normal
People so moving, so relatable.
Normal People is available on BBC Three / iPlayer from 6am on Sunday 26 April. It also airs on BBC One at 9pm on Monday 27 April, continuing weekly.
To show our love for Normal People, Culture Whisper is reviewing episodes week by week to align with the BBC One broadcasts.
|What||Why Normal People is beautiful television|
26 Apr 20 – 26 Apr 21, ON BBC THREE/iPLAYER
27 Apr 20 – 01 Jun 20, ON BBC ONE