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TV

Sex Education, Netflix review ★★★★★

On 11 Jan 19, 12:00 AM

Get ready to laugh, cry, and be seduced by this new hilarious Netflix comedy Sex Education. Asa Butterfield and Gillian Anderson star

By Euan Franklin on 10/1/2019

Asa Butterfield and Gillian Anderson in Sex Education, Netflix
Asa Butterfield and Gillian Anderson in Sex Education, Netflix
Sex Education, Netflix review 5 Sex Education, Netflix review Euan Franklin
Teen sex comedies don’t age well – even and especially in the last 20 years, in a millennium that kicked off with the American Pie movies.


But on Netflix, a stream of more considered and intelligent sex comedies are coming to the fore, all dipping into particular generations. Big Mouth covers the step into puberty, Lovesick enjoys the trials of twenty-something relationships, and Wanderlust largely explores sex in middle age.


Now a new series from debut writer Laurie Nunn has entered the chronology, this time delving into the sexual conquests of mid to late teenagers in secondary school.



Otis (Asa Butterfield, left) is the son of liberal sex therapist Jean (Gillian Anderson, right)


Set in the fictional town of Moordale, Sex Education follows Otis (Asa Butterfield) – the son of liberal sex therapist Jean (Gillian Anderson) – who tries to survive sixth form with his gay best friend Eric (Ncuti Gatwa). When he offers some sex advice to another student, the punky intellectual girl Maeve (Emma Mackey) takes advantage of his knowledge and cuts him a deal: he gives paid advice to the sexually confused, and she handles the business end.


The series takes a couple of episodes to get going, introducing numerous characters in a southern town that’s almost fantastically separated from the rest of the world. Moordale looks like the setting of an ‘80s American teen movie with a colourfully cliquey school, an uptight headmaster (Alistair Petrie) clipped out of a John Hughes film, and a flurry of pop rock from that era like Talking Heads and The Smiths blessing the soundtrack – yet it's set firmly in the digital present.


And being so used to these types of comedy shows rolling out in bite sized 30-minute chunks, the 50-minute runtime of each episode also feels excessive at first. But, gradually, it becomes obvious why the series needs that extra time.



Otis tries to survive sixth form with his gay best friend Eric (Ncuti Gatura)


The first few episodes deal with the hilarity of certain teenage sex and relationship problems: concerns about a wanking addiction, not being able to orgasm during sex, vomiting on a penis after gagging on it etc. After the deal with Maeve, Otis helps all of these couples and singletons to reach some peace with their problems.


But despite being an excellent listener with a detailed understanding of sex gained from his mum (one scene has him explain to Maeve where the hymen is), he’s still a geeky, nervous virgin who (unusually) hates masturbating. He’s endlessly entertaining, especially when his hormonal biology conflicts with his liberal anxieties. When he has a wet dream about another student, he confides in Eric who says: ‘You jizzed your pants, you’re not Hannibal Lecter!’ – to which Otis fearfully replies: ‘What – if – I – am??’


The performances perfectly suit the comedy. As well as Asa Butterfield’s vivid portrayal of an anxious teenager, Gillian Anderson is excellently blunt as his sexually versed mother (‘Sweetheart, I've noticed you're pretending to masturbate’). We also have a furious and no-shit-taken performance from newcomer Emma Mackey, playing Maeve, who’s easily the most electric character of the series – sustaining a personality of punk, feminism, and existential pessimism.



Maeve (Emma Mackey) cuts Otis a deal for his sex knowledge


But the real world does break through, and this is where the series bears its emotional weight. Not only are tricky relationships dealt with, but poverty, consent, abortion, homophobia, transphobia, online shaming, and emotional abuse are treated with care. At the same time, Nunn maintains an overwhelming level of compassion for every character – even the most undeserving. Moordale is filled with an ensemble of vivid and hilarious personalities who are (on the inside at least) anxious in their particular cliques, and the extra minutes prove essential for their stories.


With Sex Education, Nunn has made one of the most empathetic shows on television: an hysterically funny and absorbing comedy that’s not afraid to make you cry. You might even learn a thing or two.


Sex Education is available on Netflix from 11th January




What Sex Education, Netflix review
When On 11 Jan 19, 12:00 AM
Price £n/a
Website



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Sex Education

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Comedy

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