Korean dramas to watch on Netflix
From the heart-warming busyness of Was It Love? to the undead, medieval horrors of Kingdom, here are five K-dramas to keep on your radar
The Korean wave, or hallyu, has spread around the world since the 90s, covering food, fashion, beauty, movies and music. The internet expands it further, especially in the wake of K-pop – making Korean culture mainstream. When Bong Joon Ho’s incredible film Parasite won big at the Oscars, it acknowledged the deep adoration for Korean movies and international cinema as a whole.
But the country's TV output should never be understated. There’s
a seemingly infinite slew of K-dramas on Netflix, and it’s a confusing, funny
and fascinating journey to venture through them. The plots bounce around between
different characters and timelines, often bombastic and ridiculous but always
emotionally enticing. Many of the pilot episodes go beyond 70 minutes, like
movies in themselves, yet the pace is accelerated – often chopping and changing
through satire, comedy, horror, political thriller, cheesy romance, and family
drama. Here are five K-dramas on our radar at the moment.
Was It Love?
Sometimes, you just need something that’s undeniably heart-warming… with a hint of darkness. Was It Love? shows how, in K-dramas, even the simplest concepts can be tangled with many complications.
The series follows the
trials of an aspiring film producer (Song Ji-hyo) in her 30s, who tries to assuage her
company’s demise while raising a 14-year-old daughter (Uhm Chae-Young). To prevent the company from going bust, she rubs shoulders with some morally dubious people. On top of
that, her daughter is always causing havoc at school, and rival parents think
the lack of a dad is the reason. On top of that, four men suddenly enter
her life with warm intentions after 14 years of being single. It’s an
emotional minefield.
Crash Landing On You
Crash Landing On You begins like a Succession-like financial drama, complete with a business empire led by a dysfunctional family. Daughter Yoon Se-ri (Son Ye-jin) is estranged from her corruptive roots, building her own successful brand and becoming a celebrity. Then the father and patriarch of the business surprises everyone: announcing Se-ri as his successor, quashing the dreams of her siblings.
But in a baffling and unlikely series of events, she accidentally
paraglides across the border and into North Korea – in which she falls for a
soldier in a demilitarized zone. Meanwhile, her brothers down south are trying
to steal their father's company away in her absence.
Private Lives
Parasite fans, rejoice! Here’s another family who
thrive on cons and identity fraud to earn a living. Cha Joo-Eun (Seohyun) was raised by
her parents to be a proficient swindler, often used as a pawn for their benefit. When she finally has the chance to enter college for a normal life,
her father is duped by an especially duplicitous con. Joo-Eun is keen on revenge,
but has to spend years learning to be a master of the swindling arts.
Stranger
Mixing cops and lawyers together, this crime drama begins in a flurry of confusion. A strange man, Hwang Si-mok (Cho Seung-woo), suffers from a psychological episode, flashing back to a surgery in childhood. He asks to enter a house, and finds a murdered man. But he’s not police. He’s a prosecutor, securing the facts before the accused stands in court. It’s a dodgy system, and he’s able to ensure all the details are correct because of his meticulous precision and absent social skills
However,
his latest guilty verdict is ambiguous, and could be the result of a corrupt branch in his firm. With the help of Police Lieutenant Han Yeo-jin (Bae Doona), he uncovers
a wider conspiracy.
Kingdom
If your heart is empty since Game of Thrones finished, Kingdom could provide your medieval fantasy fix. This K-drama adopts the same ruthless politics, this time in 16th-century Korea, but with a scarier horde of horrific zombies to contend with.
The King has recently eloped with the
daughter of a neighbouring clan, and the son she gives birth to will be next in
line to the throne. But the rightful heir, the Crown Prince Lee Chang (Ju
Ji-Hoon), is being shunned as a result – making him want to build his own uprising
with the peasant class, who are hated by the aristocratic nobles. Then the political divide
is thrown into extreme circumstances, as a mysterious disease raises the dead
and turns them into cannibals.
