Throughout I Know This Much Is True, the house painter Dominick Birdsey (Mark Ruffalo) drowns in stories of child abuse, murder, self-mutilation and rape. Whenever you think turning a worse corner is impossible,
a new tragedy strikes or an old trauma is revealed that tests him further. Other
than the biblical Job, it’s hard to imagine a more unfortunate man.
Although these are maybe
the worst times to release such a drama, this six-part series is an emotional distraction
of the heaviest kind. Maybe Dominick’s troubles can help us forget our own for
Mark Ruffalo plays house-painter Dominick, a house-painter caring for his schizophrenic brother
Know This Much Is True
starts with a striking image, one that brutally slices into memory. Dominick’s twin
brother Thomas (also Ruffalo), who suffers from paranoid schizophrenia, chants
Christian messages inside a library – before raising a curved knife and sawing
his hand off. It’s a sacrifice to God for the sins of George
H W Bush, who’s sending troops into Iraq at the time of the story (1990).
purposeful incident propels Dominick to tell his story in a thick and beautiful
voice-over, which wanes as the series continues. He dips into the stressful
and mortifying memories of growing up with his mentally unstable brother, his
abusive stepfather (John Procaccino) and his submissive mother (Melissa Leo),
who’s now dying from cancer.
Smoke from the past billows into his present as he
tries to make sense of his family’s hard luck: searching for his estranged birth father and reading a memoir by his maternal grandfather, a
Ruffalo also plays Dominick's twin brother, Thomas
Derek Cianfrance (Blue Valentine, The Place Beyond the Pines)
directs the entire series and co-writes with Anya Epstein (The Affair),
adapted from Wally Lamb’s 900-page tome of a novel. Cianfrance’s
previous film – the underrated but imperfect adaptation of M L Stedman’s The Light Between Oceans – suffered from trying to pack so much story into an
airtight 132 minutes; I Know This Much Is True feels like a reprieve.
turns to telly without sacrificing his cinematic
edge. He and cinematographer Jody Lee Lipes (A Beautiful Day in the Neighborhood)
shoot on gritty 35mm, frames filled with tragic depth and colour; white hairs spark on the celluloid. The camera stays close: you experience all the upset with Dominick.
Cianfrance concludes the first episode with an excruciating extended take, tracking
Dominick in shallow focus as his brother is admitted to a high-security psychiatric hospital.
Dominick fights against the help, including the blunt and brilliant social worker Lisa (Rosie O'Donnell)
abusive childhood spills into his male toxicity as he constantly resists help
from anybody, particularly women. Although he’s a difficult man to like,
especially in this more enlightened climate, you’d have to be inhuman to feel
nothing for him. He meets his brother’s blunt and brilliant social worker, Lisa
(Rosie O’Donnell), who won’t tolerate his anger but still helps him.
goes for his near-robotic but deeply empathetic therapist Dr Patel (Archie Panjabi), and his very caring ex-wife Dessa (Kathryn Hayn), and his young and slightly
ditsy girlfriend Joy (Imogen Poots). Most episodes contain moments when screaming at
the screen is justified, as Dominick pushes against their help – hiding any glimmer of vulnerability.
Kathryn Hayn stars as Dominick's ex-wife Dessa
joins a select gaggle of dual-performance roles, shooting his scenes for Dominick
then halting production to gain weight for Thomas. Like other ‘twinning’
performances (Jeremy Irons in Dead Ringers, Armie Hammer in The Social
Network, etc), the difference is so stark, the characters so
idiosyncratic, that it’s as good as watching two separate people. If there’s
any actor who’s shown the most admirable and seamless transition out of
superhero Spandex, it’s Ruffalo.
Know This Much Is True shows
the harm that male toxicity can bring, and how hereditary it is. These days,
when that kind of masculinity can lead the world, the series offers a
rebellion – a signal for men to be better despite what they’re birthed into. It’s
an upsetting, absorbing and educational journey.
I Know This Much Is True airs on Sky Atlantic at 2am and 9pm on Monday 11 May
|What||I Know This Much Is True, Sky Atlantic review|
11 May 20 – 15 Jun 20, ON SKY ATLANTIC
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