could be too much to ask of a viewer in pandemic Britain: to spend several
Sunday nights watching a family drama about grief. Considering the number of unexpected deaths that continue to burden the news cycle, wouldn’t something fluffier
like Bridgerton help to escape the constant misery?
But shows like Finding Alice are vital to processing and unloading these tough emotions. For anybody who’s ever lost someone
and had to endure the entire sordid business, this six-part ITV series provides a warm, sad,
and funny embrace.
Alice (Keeley Hawes) with her daughter Charlotte (Isabella Pappas). Photo: ITV
(an always outstanding Keeley Hawes) has recently lost her partner Harry, a property
developer who designed their new ‘smart house’. He falls down the stairs, callously constructed
without a banister, and dies instantly – leaving Alice and daughter Charlotte (Isabella Pappas) to
work through the grief as well as grapple with their new hi-tech home.
Writers Roger Goldby and Simon Nye (The Durrells) open up the struggles to Alice’s vast extended families. And friends, too. Despite the slightly superfluous abundance of characters (some are simply referenced or
pushed to the background), they all have their memorable idiosyncrasies. You move
through them like a Dickensian sweep.
have Alice’s parents: a soft Nigel Havers and a venomous Joanna Lumley. And
Harry’s parents, played by a Brian Cox-like Kenneth Cranham and an
emotionally haunting Gemma Jones. There’s Harry’s cuddly and extroverted sister
Nicola (Sharon Rooney). And Harry’s kooky assistant Yasmina (Dominique Moore). Oh, and the amusing morgue-doctor Nathan (Rhashan Stone). And even more.
You’d expect such a populated series to
blur into a confusing wave of faces, but they’re a delightful, accessible mix: it's easy to tell one from the other. It shows the eclectic realities of big
families as well as the strong ripple-effect any death can have.
Harry's death has a strong ripple-effect across family and friends. Photo: ITV
herself is refreshingly funny, constantly joking to relieve an endlessly
bleak situation. Things get worse as Harry’s secrets begin to posthumously
invade her life. The police start an inquest, the house could be taken from
her, and money’s running short. All of this inevitably affects her relationship
with Charlotte, who’s constantly keeping it together for her mum.
also a joyous and liberating non-conformity about her. She dislikes the morbid
hubbub of funerals, the religious choreography of the services, the frightening
graveyards (‘like a long-stay car park in a really dismal airport’), and even
the impersonal, eco-unfriendly coffin. She’s determined to do what
Harry would’ve wanted, even though it attracts confusion and judgement from both
sets of parents.
Finding Alice can be overwhelming in its grief and grapples with many
kinds. But it can also be cathartically enjoyable, and leaves a twist at the end
of each episode. The writers beautifully balance the humour with the harrowing, which slide into each other as often as in life. They deliver a comfort that acknowledges the dark, and then tackles it head-on.
Finding Alice airs on Sunday
17 January at 9pm on ITV.
|What||Finding Alice, ITV review|
17 Jan 21 – 17 Jan 22, ON ITV
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