Named after Dylan's 1963 song, Girl From the North Country, the play is set in Duluth, Minnesota during the 1930s. It follows 'a family adrift'.
Waifs and runaways come and go, all with their own stories and secrets. The whole cast of 20 actors and musicians is impressive (particularly in capturing the Duluth dialect). But it’s Shirley Henderson who especially stands out, playing distant wife and mother Elizabeth with humour, heart and a strange, impish strength.
Shirley Henderson as Elizabeth Laine and Michael Shaeffer as Reverend Marlowe
‘Pain comes in all kinds: physical, spiritual and indescribable,’ we are told in the opening narration. And, over the course of two and half hours, every kind of suffering shimmers with life and is offset with bitter, brief flashes of hope.
There’s a striking symbiosis between the stories and Dylan's songs. The bluesy base, haunting strains of harmonica and lyrical beauty are artfully entwined through the drama.
Girl From the North Country is not a story written around the classics or a case of 'Mr Tambourine Man' shoehorned into a script. It's emphatically not a musical or a greatest hits compilation to titillate fans. (This Dylan-disciple theatre reviewer and her can't-name-one-of-his-songs companion enjoyed the show in equal abundance).
McPherson takes tracks spanning 1963-2012 and inserts them into one winter in 1934. He describes it as ‘a conversation between the songs and the story’; they illuminate each other and embody the storytelling heart of folk music.
The effect is transcendent.
|What||Girl From the North Country review|
Noel Coward Theatre
St Martin's Lane, London, WC2N 4AU | MAP
|Nearest tube||Waterloo (underground)|
29 Dec 17 – 31 Mar 18, 7:30 PM – 10:00 PM
|Price||£12 - £65|
|Website||Click here for more information and to book|