be so easy and so tempting to paint Schlafly as a Republican demon with a lot
of poise, but this nine-part miniseries examines the well-dressed layers beneath
her advocacy for gender inequality in the 70s.
Parallel to this, Mrs America
follows the eclectic fury of personalities forming the second-wave feminist movement, which
includes the likes of Gloria Steinem, Betty Friedan, Shirley Chisholm and Bella
Abzug. Yet while showing the good sides of Schlafly, the series also shows the
bad sides of the feminists, particularly the white feminists, who aren’t always
the all-good superheroines of the liberal zeitgeist.
Cate Blanchett stars as anti-feminist conservative Phyllis Schlafly. Photo: BBC
and the second-wave ‘libbers’ fight over the Equal Rights Amendment (ERA), ensuring
gender equality in the US constitution. Ironically, Schlafly acts as a fierce
independent woman who’s often held back by patriarchal prejudices, with men
thinking she’s better at taking notes than suggesting political policies.
Blanchett plays her with frightening, smiley punch – her disarming grins
formulated like a submissive robot designed by chauvinists. But it’s all a
front; her desires scratch under her flawless skin, she emasculates her husband
(a perfectly cast John Slattery) and she comforts her closeted son.
her views, there’s much to admire about her; a kind of antihero
quality. When she breaks through impenetrable ceilings – more like concrete
than glass – there’s some thrill in watching her succeed against the male
company she keeps. She is, after all, another woman struggling to ascend in a
Gloria Steinem (Rose Byrne) hanging out with Betty Friedan (Tracey Ullman)
the balance between the anti-ERA housewives and the second-wave feminists is
admirable, it’s clear who the real rock stars are. The feminists flaunt attitudes
strong enough to set the screen aflame, each performance acting as its own
spectacle. Blanchett naturally steals the gazes in every room she saunters
into, but the clashing talents of Rose Byrne, Tracey Ullman, Margot Martindale,
and Uzo Aduba vibrate into an endlessly alluring delight to watch.
as Steinem captures an extroverted yet insecure personality, afraid that her
attention as a feminist hinges on how attractive she is. Ullman, as The Feminine Mystique author Betty Friedan,
bounces as a fiery ball of impulsive, exciting unpredictability.
Uzo Aduba gives a remarkable performance as black feminist Shirley Chisholm
But the most remarkable presence is Aduba as black feminist Shirley Chisholm, capturing a barely
acknowledged but vital intersection of feminism. Episode three examines her
contribution, running a campaign to be the first black female president – her mission
negated in favour of white feminist priorities. That systemic
separation culminates in a furious scene where Chisholm’s anger spills out (‘Why
am I the only one … who thinks a black woman being president is worth the run!?’).
of the issues depicted in the series resonate because they show an uncomfortable
history, and judge the progress (and lack thereof) made in the present day. The successes of the second-wave feminists are victories, and Mrs America remembers that. It’s an
historical drama with a rock ’n’ roll pulse, showing what rebellion can do – and
that’s essential in these times.
Mrs America airs on Wednesday 8 July at 9pm. All episodes will be available on BBC iPlayer from the same day
|What||Mrs America, BBC Two review|
08 Jul 20 – 08 Aug 20, ON BBC TWO AND IPLAYER
|Website||Click here for more information|