Olivier Widmaier Picasso Interview

Picasso is a name that bears a certain responsibility. Something that Olivier Widmaier Picasso, the grandson of master painter Pablo, knows all too well.

But does he have anything in common with his famous granddad? Yes – my nose! But not my hands'. But when it comes to artistic talent, Widmaier Picasso sees himself more as a producer: 'I’m not very artistic and I do not paint.'





LEFT:
Olivier Widmaier Picasso, grandson of Pablo Picasso, launches Revealed, a photography
exhibition he has curated at Sofitel London St James-38









Picasso exhibition 2015

Widmaier Picasso is back in London to promote his latest project at the luxurious Sofitel St James Hotel, which gathers together photographs of artists in their studios from the archives of Paris Match, including Mr. Pablo Picasso himself.

But this isn't like a normal show. 'Unlike other exhibitions destined for museums or galleries'  Widmaier Picasso explains, 'I wanted it to feel intimate, like the artists’ studios portrayed in the exhibition; a home away from home'.

Pablo Picasso's work is certainly a comfortable subject for Widmaier Picasso, who's made a name writing and producing documentaries about his grandfather. But he argues that Pablo has only influenced his life 'by about 10%'

'It is impossible to be Pablo Picasso after Pablo Picasso'  he explains, helpfully.
 


Keens Van Dongen and Brigitte Bardot


Pablo Picasso photography

In the Sofitel St James exhibition there are several spectacular photographs of Picasso in his studio. Widmaier Picasso points out David Douglas' image of his grandfather with a fishbone as his particular favourite. 'The image is so special because it shows the intimacy of a man eating his lunch but also the work of an artist.'

In fact, Widmaier Picasso had plenty of photographs to choose from, as Pablo Picasso was permanently living with photographers in the 1950s. A particularly striking image shows the artist with a Dalmatian leaping up onto his lap. 'It's so interesting because it reveals how he used his whole house as a studio', Widmaier Picasso explains. 'I believe it really captures him because it shows the man and the artist are the same person.'



Pablo Picasso con Perro


Picasso artwork

As the grandson of the most famous artist in the world, Widmaier Picasso has his own pretty impressive collection of Picasso art. 'One of my favourites is a painting I have in my bedroom at home called “Marie-Thérèse in a Red Beret and Fur Collar” (1937) of my grandmother'; a vibrant portrait of a young woman in vivid primary colours, her face splintered into jagged edges. But really it's impossible to choose across Picasso's widely varied practice: 'even though you may favour one period over another, you always have to respect that every art work means something different to someone'.

Picasso's muses and models

For Pablo Picasso, each phase of his artistic style was sparked by a new muse and romantic relationship. When he met Marie-Thérèse, he began a new series of sexually charged works of the beautiful round-faced blonde girl, her dreams filled with sexual promise. 'My grandfather needed many women to inspire his creations', Widmaier Picasso explains. 'Every woman was important to him and necessary to his work - I suppose that makes me less inspired than my grandfather!' Widmaier Picasso and Alice Evans (actress) were engaged a few years ago, but compared to his grandfather's Lothario ways, Olivier hasn't scratched the surface.



Joan Miro in Mallorca


There are plenty of misconceptions surrounding his grandfather that Widmaier Picasso wants to dismiss. So what was the man really like? 'At 92 years old he was still working as hard as ever. He was a force of nature'. So, even to his family, Pablo Picasso is more myth than man. 


'Revealed: A Photography Exhibition by Sofitel', curated by Olivier Widmaier Picasso, is at Sofitel London St James, 6 Waterloo Place, London SW1 (www.sofitel.com), from 11 September to 30 October. Admission free.