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Visual Arts

Rembrandt: The Late Works, National Gallery

14 Oct 14 – 18 Jan 15, 10:00 AM – 6:00 PM

Rembrandt: The Late Works, National Gallery, London, offers a rare opportunity to see one of the most arresting Old Masters of all time

By CW Contributor on 20/6/2014

3 CW readers are interested
Detail from Rembrandt, Self Portrait at the Age of 63, 1669, Courtesy the National Gallery, London
Detail from Rembrandt, Self Portrait at the Age of 63, 1669, Courtesy the National Gallery, London
Rembrandt: The Late Works, National Gallery Rembrandt: The Late Works, National Gallery Joseph Funnell
Background
It is impossible to overstate the importance and influence of Rembrandt as a painter and as a printmaker. He found fame at a relatively young age and his reputation has never diminished in the 345 years since his death. In the final years of his life, despite being beset by personal tragedy and financial difficulties, Rembrandt produced some of his very finest work. In these final years, the ageing artist's creativity and experimental tendencies flourished as he worked rigorously towards the development of a new style of painting. It is the work of this final period of Rembrandt's life upon which this exhibition concentrates.
The exhibition
Rembrandt:The Late Works, is set to be a genuine blockbuster of the sort that comes around very rarely. In fact, the National Gallery are describing it as a 'once in a lifetime' opportunity. This may well be a fair description; it is unlikely that so many of Rembrandt's best works will be together in one place again soon. Organised in collaboration with Amsterdam’s Rijksmuseum, the exhibition features around 40 paintings, 20 drawings and 30 prints on loan from museums around Europe and North America including the National Gallery of Art in Washington and the Mauritshuis in The Hague. The exhibition will include a high proportion of all the confirmed late-period Rembrandt works in existence.
Critical view
It is a mark of the extent of Rembrandt's innovativeness as a painter that during the artist's lifetime several of his contemporaries were moved to question his many shifts of style. The fashion during the late part of Rembrandt's life was for very finely executed paintings, but Rembrandt developed a more expressive, even coarse, way of working. This innovativeness, along with Rembrandt's shift in emphasis away from painting groups of people and towards intimate portraits, gives the paintings an emotional power that has only grown over time.
If you love Rembrandt why not attend a unique masterclass at the National Gallery with Dutch graphic novelist Typex, writer and illustrator of the graphic novel biography Rembrandt which was commissioned for the reopening of the Rijksmuseum. Click here to find out more and book your place

What Rembrandt: The Late Works, National Gallery
Where National Gallery, Trafalgar Square, London, WC2N 5DN | MAP
Nearest tube Charing Cross (underground)
When 14 Oct 14 – 18 Jan 15, 10:00 AM – 6:00 PM
Price £18
Website Click here for more information and to book via the National Gallery



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A little more...

  • Culture Whisper says...

    A once-in-a-lifetime exhibition

    In the last 20 years of his life, Rembrandt searched for a new style more expressive and profound. The exhibition, organised thematically in order to examine the ideas that preoccupied him during his final years leaves the visitor deeply moved.  In the first room, "self scrutiny" the artist considers his own ageing features - frailty of his look and vigour of his painting. Other rooms explore his more intimate or introspective paintings: his son Titus daydreaming, the apostle Bortholomew contemplating his fate. Most poignant is the work presented in the final room, entitled Reconciliation. His final painting Simeon with the Infant Christ was left unfinished at his death, maybe on purpose.

    The venue

    ABOUT THE NATIONAL GALLERY

    Majestically overlooking the iconic Trafalgar Square, the National Gallery's rather unfortunately underfunded 19th century façade fails to rival the grandeur of its European counterparts. Nevertheless, if you are able to battle your way through the herds of ever-present tourists, you will come face-to-face with some true masterpieces. Renaissances geniuses such as Holbein, van Eyck and da Vinci form but a few highlights in a walk through European art history (aprox. 1200-1900) that finishes with the works of modern icons such as van Gogh and Monet .

  • A fantastic addition to the exhibition is 'The Conspiracy of the Batavians under Claudius Civilis' (c.1661-1), normally found in the Royal Academy of Fine Arts, Sweden. The painting, which is a portion of an image of the Amsterdam Town Hall, a symbol of the power and wealth of the city and its people, has only left Sweden twice since its donation in 1798 and has never been on display in London. Reason enough on its own to pay this exhibition a visit!

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