Best dance in March
Berlin, New York and Johannesburg dance in London
The Royal Ballet, Woolf Works review ★★★★★
Wayne McGregor's award-winning triptych inspired by Virginia Woolf's life and works returns to Covent Garden.
Read more ...Ballet Black: Pioneers at the Barbican
Ballet Black's double bill Pioneers assembles specially commissioned works old and new for this vibrant company's latest outing at the Barbican.
Read more ...Turn It Out with Tiler Peck and Friends, Sadler's Wells
A treat indeed: direct from New York, Tiler Peck, 'the ballerina that can stop time', makes a rare foray into London with a programme featuring friends from a variety of dance backgrounds.
Seeta Patel Dance, The Rite of Spring, Sadler's Wells
Stravinsky's timeless The Rite of Spring gets yet another makeover in Sadler's Wells current season, this time by bharatanatyam dancer and choreographer Seeta Patel.
Gregory Maqoma, Broken Chord, Sadler's Wells
The Soweto-born dancer and choreographer Gregory Maqoma returns to Sadler's Wells with Broken Chord, a work that tells of a little-known episode in 19th-century South African history.
Read more ...Tom Dale Company, SURGE/SUB:VERSION, The Place
One of the most daring and successful makers of dance pieces at the cutting edge of technology, Tom Dale, brings his latest double bill to The Place, featuring dancer Jemima Brown.
Read more ...English National Ballet, Creature, Sadler's Wells
The compelling Jeffrey Cirio returns to London to reprise the central role in Akram Khan's harrowing, unremittingly bleak Creature, his third work for English National Ballet.
Read more ...DART Dance Company, Lilian Baylis Studio
Direct from Berlin, DART Dance Company brings two programmes on consecutive nights to the Lilian Baylis studio, showcasing its unique blend of ballet, contemporary dance and some acrobatic movement.
The Royal Ballet, Cinderella, Royal Opera House
One of the most magical ballets of The Royal Ballet's founder choreographer Frederick Ashton, Cinderella, returns to Covent Garden after a long absence in a brand-new, spruced-up production.
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