Laura is the mother to two kids, and her husband Dean (Marlon Wayans) is away a lot,
beginning a new business. An uncomfortable seed of an idea begins to break and grow in her
mind: what if Dean is cheating?
many other stories would turn this into an anxious odyssey of vengeance, hell hath no
fury and all that, On the Rocks proceeds calmly and collectedly. Laura confides in her father, who's convinced that Dean is being unfaithful because, according to him, that's what men are like. The two of them embark on their own investigation, inspired by Felix’s sexist ideas – starting from small confusions to overbearing suspicions. They follow Dean, check his phone, and inspect his credit cards.
We probably all know a
Felix: those older men with lines and grey hair, stuck in a time of universal
sexism where women were supposedly dependent on men. During dinners
with Laura, he would – without any kind of initiation – spout a misogynistic
rant about female inferiority, before flirting with women half his age
Felix speaks as if he’s delivering a seedy lecture, exhibiting a façade of an
intellectual: ‘It’s nature. Males are forced to dominate and impregnate all
females.’ ‘Do you know a woman’s at her most beautiful between the ages of 35
and 39?’, and so on. But at the same time, he’s effortlessly charming – he's complimentary, knows everyone’s names, and has an undying love for Laura.
He can even talk his way out of a driving offence.
Rashida Jones provides a subtly
absorbing performance, with no hint of melodrama. She keeps up Laura's face of general
toleration while the doubt burns inside. Her boring routine is filled with her kids, leaving little room for relaxing or sex. Her only friends are other mums,
who just talk about themselves. She doesn’t have any social spark with
Dean’s work colleagues. She can’t even write, despite a beautifully organised desk
of papers and sticky notes.
Murray naturally steals the show, but even he restrains his innately cartoonish
and comedic personality, recalling his quieter moments in Coppola’s second film Lost
in Translation. The antiquated artifice of his character is layers deep, as
if hiding behind sexism to block vulnerability. But that sensitivity does show, if only
rarely, through silence and frowns. Murray carries that balance perfectly.
writes their dialogue with brilliant delicacy, always swinging between
familial love and buried frustration. Felix has his own troubled past, his old-fashioned
views on women indicative of that. But the two of them need each other, and
need a reason to bond – even if it’s not explicitly stated as such.
Rocks is the sort of film unburdened with real-world issues, affluent as
both characters are – even the anticlimactic ending avoids anything too emotionally
taxing. But that’s what makes the film a quiet, intelligent, escapist pleasure.
On the Rocks is available on AppleTV+ from Friday 23 October
|What||On the Rocks, Apple TV+ review|
02 Oct 20 – 02 Oct 21, IN CINEMAS
23 Oct 20 – 23 Oct 21, ON APPLE TV+
|Website||Click here for more information|