Julian Barratt (The Mighty Boosh) has gone the Steve Coogan route, creating a narcissistic and deluded alter-ego to epitomise everything tragic about English men in late middle age. His Richard Thorncroft is a potbellied has-been, an actor who used to play the titular TV detective Mindhorn in the '80s, suddenly relevant again when a real serial killer refuses to negotiate with anyone but his character.
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Ridley Scott knows you were disappointed by Prometheus, his long and patchy Alien prequel, so he's doing his best to make you happy with Alien: Covenant. This is definitely an Alien film: there's a crew of hapless space-travellers, there's a seemingly abandoned planet, and there's even a cache of weird, gooey eggs just waiting to hatch. Sure, Covenant might be playing off nostalgia, but it might also be really good. Fingers crossed.
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Directed by the incredibly prolific François Ozon, Frantz is a drama half in morose black-and-white, half in dazzling colour. It centres on a German war widow who strikes up a quasi-romantic relationship with a stranger who knew her husband, and develops in surprising directions.
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Gloria (Anne Hathaway) is a mess. She drinks so much and parties so hard that her boyfriend has thrown her out. And if that wasn't enough – classic problem! – she's also accidentally manifesting as a giant monster and regularly destroying a major Korean city. You've got to admit: as a metaphor for irresponsible drunkenness, it's pretty original.
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If you're not sure what to make of The Other Side of Hope, the new film by Finnish director Aki Kaurismäki, that's ok: we're not sure what to make of it either. It's a timely film about a Syrian refugee that's also a quirky comedy that looks like it was made decades ago. It's probably this month's most acquired taste.
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