Trial of the Chicago 7
follows the eight (eventually seven) anti-war protestors arrested for inciting
riots during the 1968 Democratic National Convention. Footage of President
Johnson, Dr Martin Luther King and Robert Kennedy are spliced with several quickfire
dialogues (fictionalised) between key members of the accused.
There’s a Pythonesque joy in all
the acronyms and nuances of the anti-war societies, who basically promote the
same message: Stop the Vietnam War. The opening montage is dense, furious and
(for the most part) accessible. Within
seven minutes, you understand the personality of each splinter group of the
so-called ‘Radical Left’.
Left to right: Bobby Seale (Yahya Abdul-Mateen II), Leonard Weinglass (Ben Shenkman), Richard Schultz (Mark Rylance), Tom Hayden (Eddie Redmayne) and Rennie Davis (Alex Sharp). Photo: Netflix
The smartly dressed Tom Hayden (Eddie Redmayne) and
Rennie Davis (Alex Sharp) are polite, non-violent and outwardly respectful of those
in power. The more exciting, shaggy-haired Abbie Hoffman (Sacha Baron Cohen) and
Jerry Rubin (Jeremy Strong) promote disrespect and want to shake the system, violence
being a last resort.
Bobby Seale (Yahya Abdul-Mateen II) of the Black Panthers
isn’t afraid of using violence, believing it to be justified considering the assassinations
of Dr King and Malcolm X. And the pacifist David Dellinger (John Carroll Lynch)
rallies specifically for non-violent protest.
With these differences – both
subtle and gaping – Sorkin avoids stereotyping these people in this epoch of American history. The anti-war side wasn’t all free love and weed.
Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin (Jeremy Strong) saunter into court. Photo: Netflix
trial process fills the second act, unfolding over five months. Sorkin
naturally vacillates between witness statements and flashbacks – plunging into
the thick of blood-splattered attacks with armies of police. Cue the tear gas and billy clubs. Under the near-tyrannical rule of the incompetent Judge
Hoffman (Frank Lagella), ideas of fairness and the disbelief in ‘political trials’
gradually waste away.
the courtroom scenes often flower with intelligent and anti-establishment
humour, from mispronounced names to cheeky addresses to court, the distressing
moments linger and fester for longer – in particular, the treatment of Bobby Seale, who doesn’t
have a lawyer. It’s often shocking to watch, showing the thuggish
racism from the shadow formed after segregation was abolished.
Although Sorkin doesn’t mine this story enough, focusing instead on the
all-white Chicago 7, Seale lays down a lasting imprint. Compared to his more famous
counterparts, Abdul-Mateen II has less screen-time but his moving and
resilient performance is easily the most memorable.
Yahya Abdul-Mateen II delivers a moving and resilient performance as Bobby Seale. Photo: Netflix
other performances are as ecstatically and enjoyably confrontational as you’d
expect them to be. Eddie Redmayne sparring with Sacha Baron Cohen – respectful
vs. disrespectful – is a thunderous experience, especially as retrospective
truths are flung within the arguments.
Like Redmayne, seasoned actor Mark Rylance
as the defence lawyer Willian Kunstler is a paradigm of courtesy. So when he
raises his voice, the room pauses in time. And this is despite his shabbiness, a contrast to his prosecutorial rival Richard Schultz, who's portrayed by a naively suited and
booted Joseph Gordon-Levitt.
Trial of the Chicago 7
isn’t as consistently sharp or musical or even as visually entertaining as Sorkin’s
previous works. Often, the film has the look of a standard TV procedural. But there’s a strong political potency guiding the film, which
chimes and whirrs with today's politics and injustices – all wrapped
inside Sorkin’s eloquent and elevated world. By his hand, arguments between
intellectuals never dry up.
The Trial of the Chicago 7 will be released in cinemas on Friday 2 October, and will be available on Netflix from Friday 16 October
|What||The Trial of the Chicago 7, Netflix review|
02 Oct 20 – 02 Oct 21, IN CINEMAS
16 Oct 20 – 16 Oct 21, ON NETFLIX
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