Robin Campillo’s new film is more overtly political than the
ones mentioned above, and that’s because it engages directly with political
activism. It follows the exploits of ACT UP (AIDS Coalition to Unleash Power),
a real-life direct action advocacy group with a laudable mission: bringing the
horrifying impact of the AIDS pandemic to the attention of the public, as well
as those who had the power to mitigate it.
Campillo himself was a self-described ‘ACT UP militant’ in the
1990s, and 120 Beats Per Minute is a
recreation of that time and the heated, high-stakes atmosphere that permeated
it. The public of the time are decidedly unenlightened, with a general attitude
towards HIV and AIDS of indifference or deep suspicion, and the pharmacological
companies are politely complacent in a way that reveals their deep disdain of
the people they could be helping.
Faced with ignorance and hostility, ACT UP fight back with
conviction. Their protesting tactics walk a razor’s edge: they have to be
disruptive enough to break the silence that surrounds the AIDS crisis — their
motto is ‘Silence = Death’ — but not so aggressive that they antagonise the
very people whose alliance they need.
Their negotiation of this fine line is the subject of the
film’s first two acts, with the majority of screen-time taken up by ACT UP
meetings where protests are planned, debated, and dissected. It’s here that you
can tell Campillo made 2008’s The Class.
120 BPM shows the same ability to
take a room of arguing people and make it exciting as well as (importantly)
The protagonists eventually emerge as Nathan (Arnaud Valois),
a handsome HIV-negative newcomer, and Sean (Nahuel Pérez Biscayart), a wry
livewire who’s been positive for years. Eventually, the action shifts away from
the scrapping of the debate chamber and focuses on the burgeoning relationship
between the two young men, and the film’s tone becomes more elegiac: Sean’s
disease is making his time with Nathan increasingly short.
In its final act, the film becomes a long deathbed scene, and it’s
not a comfortable watch. But, then again, 120
Beats Per Minute is a sort of belated protest on behalf of those for whom
advances in treatment came too late. ACT UP broke into offices and threw fake
blood around; Campillo’s film has a less sensational but probably more
affecting way of bringing home the tragedy of AIDS. It shows things
|What||120 Beats per Minute film review|
|Where||Various Locations | MAP|
06 Apr 18 – 06 Apr 19, TIMES VARY
|Price||£ determined by cinema|
|Website||Click here for more information|