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Winner of the 1998 Pulitzer Prize, Paula Vogel's How I Learned to Drive has first London revival at Southwark Playhouse this February.
Fun, feisty and refreshingly feminist, Almodóvar's film fizzes on stage, but some of the hysteria and heartbreak feels a little hollow, writes Lucy Brooks
All that glitters in Shakespeare's most controversial comedy sparkles on the Almeida stage as Rupert Goold's boldly updated production illuminates both humour and tragedy.
It's man against the machine this winter as bold boundary-breaking theatre company 1927 satirise technology in a spectacular family show.
REVIEW: A bold choice for the National Theatre: '3 Winters' shines a light on recent Croatian history- and Culture Whisper members have an exclusive discount.
EDITOR'S PICK: Brand new at the National Theatre, David Hare's 'Behind the Beautiful Forevers' is a technical marvel with a great deal of bite, says Ella Cory-Wright