Features

Diana Vishneva, London Coliseum: the Russian ballet star is a force to be reckoned with, even if this contemporary programme didn't show everything she's got.

Features

Riotous colours and geometric patterns kick-off spring at Tate Modern, but who is Sonia Delaunay?

Features

REVIEW: British Museum, 'Defining Beauty': this extraordinary collection of Greek Sculpture proves that the best things in life get better with age. 

Latest News

Sam Holcroft breaks the rules with an uproarious and acutely observed comedy that collapses into chaos, writes Lucy Brooks

Features

REVIEW: Anish Kapoor 2015, Lisson gallery: an extraordinary show. 

Features

London Design Museum celebrates the best designs of the year, from a swish BMW sports car to a human lung on a microchip

Must See

Fast-paced, spitting with emotion and a joy to watch, The Broken Heart at the Wanamaker playhouse is not to be missed, writes Helena Kealey.

Features

It's here! Alexander McQueen opens at the V&A - but is it really worthy of a public art museum? 

Features

REVIEW: National Gallery, 'Inventing Impressionism': this art history show, as much about the market as the art, is a triumph and a joy.

Features

REVIEW: Lippy, Young Vic's latest production, is brave, clever and very entertaining. 

Features

REVIEW: 'Man and Superman', George Bernard Shaw's enormous drama, is kept upright by Ralph Fiennes' National Theatre triumph. But why now?

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Greg Wise's return to theatre in Kill Me Now is darkly funny and a relentless punch to the heart

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Goya: The Witches and Old Women Album, Courtauld: monstrous nightmares and leering old crones come to life at this fantastic new exhibition

Features

REVIEW: 'Forensics' Wellcome Collection exhibition 2015 is horribly gruesome, but a big hit for science lovers 

In The Know

Arrestingly alive and bitterly funny, this fragmented and disturbing coming of age tale will get under your skin, writes Lucy Brooks

Latest News

Wayne McGregor | Random Dance: Atomos, review by Ruth Mattock, is a cognitive pleasure rather than an emotional one.

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It may not be as shocking or searing as when it premiered in 1999 but this Donmar Warehouse Closer revival still sizzles, says Lucy Brooks

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John Singer Sargent, National Portrait Gallery 2015 exhibition: rich colours, lavish oils and sumptuous painting from the king of portraits

Features

From slapstick to baroque: three Sadler's Wells associate artists present an eclectic mix of works.

Features

REVIEW: Zinnie Harris' new play, How to Hold Your Breath, opens at the Royal Court

Features

Selma review: movie about Martin Luther King's march to freedom has moments of brilliance, and stunning performance from David Oyelowo. 

Latest News

Perverse, sinister and fantastic: Marlene Dumas Tate Modern exhibition could be one of the best shows in London this year.

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Opposites still spark in this snappy and heart-warming rom-com told through the first and last hour of a relationship, writes Lucy Brooks

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A devastating yet subtle tale of maternal devotion and determination, stunningly performed by Penelope Wilton, writes Lucy Brooks 

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An exuberant example of the joys of fringe theatre, which will have you howling with laughter, writes Lucy Brooks

Features

REVIEW: Could there be a better Thomas Cromwell? Mark Rylance leads the outstanding BBC Wolf Hall adaptation- surely the best TV series 2015 has to offer.

In The Know

REVIEW: The unique dance troupe achieve rare emotional realism

Latest News

Writhing flesh, divine retribution and world class portraiture: Royal Academy Rubens show is one of the best exhibitions in London.

Must See

REVIEW: This intense, electrifying indie blows all others out of the water: hands down the best film of 2015 so far.

Features

Aesthetically powerful, and with a good momentum, Chronicles of Kalki deals with some powerful emotions but ultimately gets a little lost. 

Latest News

REVIEW: Shakespeare's Othello is made urgently alive as the physical theatre brings thrilling ripples of violence and sensuality writes Lucy Brooks

Latest News

Mind-boggling feats both silly and profound make for an engrossing and refreshingly honest show, writes Lucy Brooks