If it’s a mystery as to how Veniamin came to appreciate
Christianity, its appeal to him is clearly linked to his age. The discipline
and certainties of religion offer comfort to someone suffering from the
upheavals of adolescence, its doctrine providing channels for his conflicting
urges and aspirations.
There’s also the fact that he’s the kind of spooky,
black-clad teen who has always felt alienated from his peers. In the Bible he
has found affirmation of his hatred for them. They’re not just dumb,
ostracising cretins: they’re sinners, addicted to vice, who will pay in hell
for their enslavement to the pleasures of the flesh.
As should be obvious by now, Veniamin is a total prig. His
peers know it, his liberal teacher Elena (Viktoriya Isakova) knows it, and his
mother must suspect it when, angry at
her divorce, he tells her that ‘the adulterers and whoremongers, God will
judge’. But the most interesting thing about The Student is the way in which Veniamin’s convictions strike a
chord with the more conservative members of staff at his school.
This is where director Kirill Serebrennikov’s film feels
most timeless and timely, demonstrating the ways in which youthful extremism
finds sympathy from a conservative establishment, tapping into old fears and
prejudices that seemed to have fallen out of favour in a more liberal age.
Elena, sanely describing puberty as ‘a temporary mental disorder’, finds
herself in conflict with her older, dowdier colleagues, who mistrust her
atheism and pragmatism. ‘You really enjoy being so modern,’ they sneer.
The stage is set for debate. The problem is that the stage
is especially stagey (it wasn’t surprising to learn, in the end credits, that The Student was based on a play), and
that the debate isn’t as complex as it could have been. It also doesn’t
entirely work as a drama, with Elena’s growing obsession with the Bible failing
There’s plenty that’s engaging about The Student, though. There are some nice deflating jokes at Veniamin’s expense, and a particularly intriguing suggestion that Russia never really became atheistic under Communist rule, but simply transferred its worship on to totalitarian dictators. The need to submit isn’t confined to schoolchildren.
|What||The Student film review|
Institute of Contemporary Arts
The Mall, London, SW1Y 5AH | MAP
|Nearest tube||Leicester Square (underground)|
03 Mar 17 – 03 May 17, Times vary
|Price||£determined by cinema|
|Website||Click here for more details|